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By
Gavin King, 2nd Dan
Go So Kempo
One of the main
mistakes a new student will make when trying to learn a new
movement is doing it too fast too soon. They see their
instructors performing these beautiful techniques at fabulous
speeds and try to emulate it. I personally love watching
beginners trying new techniques; they never fail to come up
with weird and wonderfully incorrect ways in which to move
their bodies. This is meant in no way to be disrespectful to
our new students as each and every martial artist since the
dawn of time has done this (I’m sure even the great
Funakoshi
left his elbows out on a reverse punch once or twice), it is
meant to serve as an example that no one is born a Black
Belt.
When a
new student first sees a new technique, they are trying to
replicate is a physical movement interpreted from a visual
input. Their bodies have never actually performed these
tasks, so their brains are not familiar with the muscles that
need to be employed in order to perform the task, what they
get is a kind of best efforts attempt. This first attempt
then becomes the foundation upon which they will build the
whole technique.
The first
stage of learning a new technique is a completely conscious
endeavour, it can be thought of as the brains experimentation
phase. The brain will experiment with many different versions
of the movement, changing the angles, directions, forces and
speeds used as a student will try to perfect the performance.
During this phase the student will feel clumsy and awkward,
and will most probably become disheartened. Remind them that
this is a completely natural stage of their development and is
precisely the reason why the techniques should be practiced
slowly.
At slow
speeds we have the opportunity to become fully accustomed with
a technique’s movement. Moving slowly allows our instructors
to correct our movements, and because we are not performing at
breakneck speeds allows us to apply these corrections.
Another
important reason to slowly learn new techniques, especially
for new martial artists, is that our bodies may simply not be
physically prepared to perform the technique. Performing a
new technique with maximum power and speed puts huge stress on
the body, which could result in an injury. Slowly performing
a new technique will place less physical stress on the body,
reducing the chance of injury and giving the body a chance to
condition itself to the new movements.
Over time, the more we perform a technique our bodies will
become more familiar with the movements. We no longer have to
consciously remember to keep our elbows in, make a proper fist
or bend legs in the correct fashion. All of the things that
used to cause us endless frustration will simply dissolve away
with the countless repetitions of techniques that once seemed
impossible. At this stage you will have a full understanding
of the movement, now you can start to think about adding the
power and speed!
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